A lot of people have been emailing asking how I create these images, what software I use and so on. So I thought I’d share a bit of my process with you. I hope you find it helpful.
Data visualisation wise, it can output a few basic graphs, but otherwise, it doesn’t render data.
That means, yes, I have to hand position every data point on every single image I create. And, yup, I am that anal.
To be honest, most times, you get a much better, designed, organic result working by hand. Although other times, it’s just an arse.
Hand-creating information designs gives you a better connection to the information you’re working with. It helps you make decisions on the fly while you’re drawing. Above all it’s meticulous and fun. Like painting with data.
Personally I feel that most data needs a degree of sculpting, shaping, editorialising to make it approachable, or useable, or to allow the interesting story or pattern inside to be revealed.
some examples
Timelines: TimeTravel in TV and Film
Yup, we went through 36 drafts of this. Yes, I am a rampant perfectionist. Yes I can be difficult to work with.
Creating The Book
A lot of people have been emailing asking how I create these images, what software I use and so on. So I thought I’d share a bit of my process with you. I hope you find it helpful.
general approach
As a general rule, I create the images by hand in Adobe Illustrator CS4. It’s an amazingly powerful drawing package. Adobe have a fully functional 30-day trial version to download if you want to take it for a spin.
Data visualisation wise, it can output a few basic graphs, but otherwise, it doesn’t render data.
That means, yes, I have to hand position every data point on every single image I create. And, yup, I am that anal.
To be honest, most times, you get a much better, designed, organic result working by hand. Although other times, it’s just an arse.
Hand-creating information designs gives you a better connection to the information you’re working with. It helps you make decisions on the fly while you’re drawing. Above all it’s meticulous and fun. Like painting with data.
Personally I feel that most data needs a degree of sculpting, shaping, editorialising to make it approachable, or useable, or to allow the interesting story or pattern inside to be revealed.
some examples
Yup, we went through 36 drafts of this. Yes, I am a rampant perfectionist. Yes I can be difficult to work with.
Creating the UK cover for Information Is Beautiful was an agonizing yet gloriously creative pain in the ass involving over 90 – yes nine-ty – different versions.
More process stuff later. If you have any thoughts or recommendations, feel free to drop me an email. Thanks! David